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Alex K. Fong

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Berkeley
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Alex K. Fong: Graphic Designer, Visual Journalist

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Alex K. Fong

  • About
  • Work
    • 7.12.2020-9.6.2020: Throughline
    • 9.24.2020: SND Lightning Talk
    • 2015-2017: The Paper Tigers
    • 2014-2016: Mao Mao Chong
    • 2014: Shanghai Star Redesign
    • 2014-2015: Shanghai Star Cover Illustrations
    • 11.10.2014: APEC gatefold spread
    • 8.16.2014: Photo Page
    • 7.30.2014: Illustration
    • 3.13.2014: Information Graphic
    • 2014: Weekend Life Section Redesign
    • 2013-2015: China Daily House Ads
    • 1.13.2012: Information Graphic
    • 10.31.2011: Illustration
    • 8.25.2011: A1
    • 6.5.2011: Features Cover
    • 4.20.2011: Illustration
    • 10.9.2010: The Giants
    • 2009: Redesign Prototype
    • 6.17.2009: A1
    • 5.31.2009: A1
    • New Page
  • Contact
Screen shot 2013-07-10 at 3.41.19 PM.png

6.5.2011: Features Cover

Richard Scheinin and I both love music and prior to this page had collaborated on some epic summer jazz record roundups.

When he brought up the idea of doing a guide to Richard Wagner’s Ring cycle in advance of a run at the S.F. Opera, I jumped at the opportunity. 

I love Wagner’s music and own two versions of the full Ring cycle: one by Wilhelm Furtwangler and the other by James Levine. (I studied Wagner as a music student, and the mesmerizing Tristan Und Isolde theme still amazes me with how logical the voice leading is between some very chromatic chords.)

Richard and I kicked around a bunch of different ways of organizing the page before I hit on graphically depicting the cycle of the ring itself — how it passed from ring-bearer to ring-bearer until returning to the Rhine River.  

With the concept in place, I made the illustration and began assembling the other images — some specifically shot for this project by S.F. Opera during early rehearsals that were closed to the press.

6.5.2011: Features Cover

Richard Scheinin and I both love music and prior to this page had collaborated on some epic summer jazz record roundups.

When he brought up the idea of doing a guide to Richard Wagner’s Ring cycle in advance of a run at the S.F. Opera, I jumped at the opportunity. 

I love Wagner’s music and own two versions of the full Ring cycle: one by Wilhelm Furtwangler and the other by James Levine. (I studied Wagner as a music student, and the mesmerizing Tristan Und Isolde theme still amazes me with how logical the voice leading is between some very chromatic chords.)

Richard and I kicked around a bunch of different ways of organizing the page before I hit on graphically depicting the cycle of the ring itself — how it passed from ring-bearer to ring-bearer until returning to the Rhine River.  

With the concept in place, I made the illustration and began assembling the other images — some specifically shot for this project by S.F. Opera during early rehearsals that were closed to the press.

Screen shot 2013-07-10 at 3.41.19 PM.png